Julio Bocca is the god of marvellous and
magic ballet. Dazzling, at the level of the most outstanding
international productions. The final scene gets such a magnificence
and exhaltation very difficult to put into words.
EL CRONISTA COMERCIAL (Argentina 5-11-91)
JULIO LOPEZ stages his most ambitious work. Poetic charge which
becomes almost the reason of its existence as work of art. Creative
LA PRENSA (Argentina 03-11-91)
“KUARAHY” looks great and seems to have everything
you could wish for. The audience was applauding wildly.
I applauded “KUARAHY’S” ambition, its boldness
BUENOS AIRES HERALD (Argentina 06-11-91)
Ideology and beauty in popular ballet. JULIO LOPEZ uses movement
to communicate emotions, and finds in the leading actor a superlative
vehicle for his purpose. With disquieting political and
PAGINA 12 (Argentina October 93)
This is one of the most ambitious superproductions
made in dancing. Exquisite refinement in the two pas de deux.
Atmosphere of dazzling irreality. Excellent version.
LA PRENSA (Argentina 08-10-93)
“KUARAHY” shows power and excellent maturity
in both the choreography (great work by JULIO LOPEZ) and the interpretations.
BOCCA plays his Kuarahy with passionate and heart-rending art
and uses his spectacular technique to bring light
to a character subject to extreme physical strain.
NORA LAFON (Argentina 07-10-93)
The performance has all of the visual and emotional attractions
to capture the heart. Very intense moments. Duets of exquisite
performace and painful feeling. A dazzling show.
SILVIA GSELL (Argentina, October 1993)
“KUARAHY” shows an superb level. Intelligent
and audacious, this ballet is 100 % Argentine. JULIO
LOPEZ has conceived both a monumental and moving staging.
The final scene reaches a point of a really dazzling apotheosis.
MAGRINI – NOTICIAS (Argentina – October 1993)